The painting’s outline is formed by digitally designed motifs. Each painting then evolves as a unique exploration of colour, form, and their associative qualities, shaping an aesthetic and meaningful composition. In this way, the centre of each painting, both in form and meaning, is left deliberately open to interpretation. This series is based on ecological motifs. 

The use of a repeatable design arises from both practical considerations of production and artistic intent. Throughout my artistic practice and cross-disciplinary experiences, a recurring logic has emerged: when engaging with abstraction, process, and poetics at a fundamental level, it is helpful to anchor the artistic work in something figuratively concrete and rational, such as ecological figures. The premise of creation and creativity is inherently uncertain and speculative; these designs are also a response to that condition.

By choosing a repeatable motif, the work establishes a stable point of reference from which multiple questions can emerge, allowing for sustained and open-ended engagement in the creative process. There is also another poetic dimension to this approach, as associative elements and allegory often give rise to recurring patterns and figures.